CUPRINS
I. LITERATURE(S)
TEATRUL SUBSTANȚIALIST. CONCRETUL APOGETIC, „UN INSTANTANEU LUAT ASUPRA REALITĂȚII - Lăcrămioara BERECHET - pp. 5-13
WHEN MOURNING GOES WRONG:THE NEW TROADES IN MATEI VIŞNIEC’S THEATER - Marina CAP-BUN - pp. 14-24
THE CLOAK – MILITARY OUTFIT AND MARKER OF LIMINAL CONDITION IN DINO BUZZATI’S WORKS - Iuliana DAVID - pp. 25-35
FULL FATHOM FIVE A WHOLE WORLD LIES:SHAKESPEARE, POLLOCK AND BEYOND - Lucia OPREANU - pp. 36-47
DISJUNCȚIA LA MILAN KUNDERA: PROPUNERI DE INTERPRETARE - Mădălina STOICA - pp. 48-54
FORERUNNING THE GOTHIC: HORACE WALPOLE’S THE CASTLE OF OTRANTO - Florian Andrei VLAD - pp. 55-63
II. CULTURAL, TEXT, FILM AND MEDIA STUDIES
NARATIV ȘI DESCRIPTIV: FORME ALE COLABORĂRII TEXTUALE. CÂTEVA CONSIDERAȚII TEORETICE - Lăcrămioara BERECHET, Alina BUZATU - pp. 65-71
EXILE – AFTER OVID - Estella Antoaneta CIOBANU - pp. 72- 84
CORPUS-ASSISTED STUDY OF SELF-PRESENTATION IN RUSSIAN-LANGUAGE JOB ADVERTISEMENTS - Larisa KOCHETOVA, Elena IILYINOVA - pp. 85-98
SIPPING FOREIGN TASTES: TRAVELLERS’ ACCOUNTS ABOUT BEVERAGES ENCOUNTERED IN THE ROMANIAN PRINCIPALITIES IN THE XVIITH TO THE XIXTH CENTURIES - Virginia PETRICĂ, Iuliana DAVID - pp. 99-106
III. LINGUISTICS
QUELQUES CONSIDERATIONS EN MARGE DE L’INTERCOMPREHENSION - Cosmin CĂPRIOARĂ - pp. 108-113
DIE FREMDSPRACHE DEUTSCH IN OVIDS NACHFOLGE - Ionela DUDUŢĂ - pp. 114-125
DAS SCHWÄBISCH DER DOBRUDSCHA-SCHWABEN. PHONOLOGISCHE UND GRAMMATISCHE ASPEKTE - Maria-Elena MUSCAN - pp.126-136
THE BENEFITS OF USING AUTHENTIC MATERIALS IN THE ESP CLASSROOM. CASE STUDY - Lavinia NĂDRAG, Alina BUZARNA-TIHENEA (GĂLBEAZĂ) - pp. 137-150
‘PEOPLE SPEAKS LIKE THIS!’ A FEW NOTES ON SUBJECT-VERB AGREEMENT IN AMERICAN ENGLISH DIALECTS - Costin OANCEA - pp. 151-162