Analele Ştiinţifice ale Universităţii “Ovidius” Constanţa nr. 29/ 2018 nr.2
CRĂCIUN Daniela - GUIDO GOZZANO ORIENTALISTA: VERSO LA CUNA DEL MONDO
(pag. 28-33)
Il presente lavoro propone l’analisi della raccolta gozzaniana, Verso la cuna del mondo dalla prospettiva delle suggestioni interpretative che provengono dagli studi culturali post-coloniali e dal dibattito che mette in discussione le tendenze relative alla riformulazione dei concetti di cultura, razza, alterità, differenza. La principale chiave di lettura è il concetto di orientalismo di Edward Said e i risultati ci permettono di descrivere lo scrittore italiano come un “orientalista” consapevole delle sue idee mutuate dai ricchissimi testi di argomento orientale dell’inizio del Novecento.
Analele Ştiinţifice ale Universităţii “Ovidius” Constanţa nr. 29/ 2018
CRĂCIUN Daniela - NORMĂ ȘI EXCEPȚIE ÎN DIVINA COMEDIE A LUI DANTE
(pag. 13-20)
Without really having a cultural education in the field of civil and canonical law, Dante, as a civil servant and then as a convict, was interested in the legal culture of his time: the text of the Divine Comedy is crossed by rituals and legal elements that govern daily life. These legal forms express the poet’s perspective on law more obviously than merely citing legal texts. In the Dantesque perspective on divine justice, critical cases play a central role. The Italian poet defines a normative space whose exceptions he explores: the pagans are saved, the convicts are bemoaned, the vows are trampled and the punishments are resized. This article aims to study the exemption systems foregrounded by the disharmonious elements regarding the medieval legal perspective, which Dante purposefully introduces into his system of reward and punishment. We propose discussing two exceptional situations of Dante’s poem that do not seem to obey the divine and providential laws: one is the exceptional nature of the journey in the after-world and the other is the ancients’ spiritual redemption.
CRĂCIUN Daniela
Analele Ştiinţifice ale Universităţii “Ovidius” Constanţa nr.28 / 2017 vol.2
CRĂCIUN Daniela - IMMAGINARIO ACQUATICO E POETICA LETTERARIA NEI POETI ITALIANI DELL’INIZIO DEL NOVECENTO (pag. 12–18)
DANIELA CRĂCIUN is lecturer at the Faculty of Letters, Ovidius University of Constanţa, Romania, where she teaches Italian Literature and Italian Civilisation. She is the author of Opera di Giovanni Papini. Studio monografico (Constanţa, Ex Ponto, 2012), of a number of articles on Italian literature, as well as co-translator (with Ştefania Mincu) into Romanian of Umberto Eco’s I limiti dell’interpretazione / The Limits of Interpretation (Limitele interpretării: Constanţa, Editura Pontica, 1996; revised edition, Iaşi, Polirom, 2007).