CONTENTS
I.LITERATURE(S)
REPRESENTATIONS OF FEMININITY IN TOLSTOY’S NOVEL WAR AND PEACE - Florica Bodiştean 11-19
THE CHRONOTOPE OF THE BEGINNINGS OF THINGS IN DICKENS’S OUR MUTUAL FRIEND: TWO HOUSES - Hristo Boev 20-30
THEORIES OF THE AVANT-GARDE: PROLEGOMENA TO A NEW AESTHETIC EPISTEME – Alina Buzatu 31-40
L’AGONIE ET DE LA MORT DANS L’ESPACE SCÉNIQUE IONESCIEN - Adrian Caţaros 41-50
UNRELIEVED DESIRE AND PROTRACTED FANTASY IN HANIF KUREISHI’S INTIMACY - Mustafa Zeki Cirakli and Karam Nayebpour 51-59
OSCAR WILDE. THE IRISH AESTHETE, DECADENT AND SATIRIST - Nicoleta Stanca 60-70
REDIRECTING THEMATIC PERSPECTIVES:EURIPIDES’ VERSION OF MEDEA MYTH AS THE RISE OF A LITERARY MYTH – Tatiana Golban 71-80
II.CULTURAL, FILM AND MEDIA STUDIES
AMENDING CODES OF VIOLENCE FROM PAGE TO SCREEN: THE COLOR PURPLE - Ileana Chiru-Jitaru 82-90
POSTMODERNIST RE-VISIONS OF GENDER: TWO AMERICAN CASE STUDIES, THE DINNER PARTY AND AGORA – Estella Antoaneta Ciobanu 91-103
MIRCEA ELIADE’S JOURNAL – AS AN ATTEMPT AT DEVELOPING A PERSONAL SOTERIOLOGY - Sergiu Miculescu 104-111
THE NEW ENGLAND WILDERNESS BETWEEN MYTH AND PARADOX - Andreea Poenaru 112-123
INTERTEXTUALITY IN THE MEDIATIZATION STRATEGIES OF THE LOCAL POLITICS - Mariana Tocia 124-133
III.LINGUISTICS
ON SOME SIMILARITIES AND DISSIMILARITIES ACROSS AFRICAN ENGLISH VARIETIES – Gabriela-Anidora Brozba 135-145
GRAMMATIKUNTERRICHT IN VIRTUELLEN UNTERRICHTSRÄUMEN - Maria-Elena Muscan 146-155
TEMPORALITÉ ET NOM PROPRE – Mihaela Miron-Fulea 156-161
THE SEMANTICS OF THE ADVERB NOW – Veronica Cristina Nedelcu 162-169
IV.REVIEWS
SYNERGIES ROUMANIE N. 7 / 2012 - Adrian Cataros 171-173
JOURNALISM IN TIMES OF MAJOR CHANGES – CRITICAL PERSPECTIVES - Maria Cernat 174-176
Notes on Contributors